Blue Is The Warmest Color (2013) | සම්මත සමාජයක අසම්මත ප්‍රේම වෘතාන්තය..(18+) May 23, 2022 May 23, 2022 Ravindu Heshan 0 Comments The Ameristep Brickhouse Hunting Blind is designed for archery and rifle hunters alike with its shoot-through mesh windows and gun ports. 10.Watch Blue Is the Warmest Color 2013 full HD on SFlix Free. Author: sflix.to. Publish: 21 days ago. Rating: 2 (1044 Rating) Highest rating: 3. Lowest rating: 1. Descriptions: Watch Blue Is the Warmest Color 2013 in full HD online, free Blue Is the Warmest Color streaming with English subtitle. Blue Is the Warmest Color (Criterion Collection) Ad le Exarchopoulos. 4.6 out of 5 stars 892. DVD. 27 offers from $8.33. Below Her Mouth. Erika Linder. 4.4 out of 5 stars 868. DVD. 175:54 - 175:56. - Acting suited you. - Really? Maggie S (Amara staff) edited English subtitles for Blue Is The Warmest Color - Full Movie [HD 1080p] Nov 15, 2016, 3:11 PM. Retired user edited English subtitles for Blue Is The Warmest Color - Full Movie [HD 1080p] Nov 8, 2016, 10:12 PM. Shanaya Kapoor says Blue is the warmest colour . Gauri Khan appeared in the 12th episode of Koffee Alongside Karan 7 with Maheep Kapoor and Bhavana Pandey. The famous wives revealed truths about their spouses and Bollywood. T0Giu. Original Title La Vie d'Adèle - Chapitres 1 et 2 Watch Now SynopsisAdèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds Is the Warmest Color streaming where to watch online?Currently you are able to watch "Blue Is the Warmest Color" streaming on AMC+ Amazon Channel, AMC+ Roku Premium Channel, DIRECTV or for free with ads on Tubi TV. It is also possible to rent "Blue Is the Warmest Color" on Amazon Video, Vudu, Apple TV, Microsoft Store online and to download it on Apple TV, Amazon Video, Vudu. RatingGenres Drama, Romance, Made in Europe Director Cast Popular movies coming soon Upcoming Drama movies Directed by Abdellatif Kechiche Writing Credits Abdellatif Kechiche ... scenario, adaptation and dialogue & Ghalya Lacroix ... scenario, adaptation and dialogue as Ghalia Lacroix Jul Maroh ... adapted from the comic book "Le Bleu est une couleur chaude" by as Julie Maroh Cast in credits order complete, awaiting verification Léa Seydoux ... Emma Adèle Exarchopoulos ... Adèle Salim Kechiouche ... Samir Aurélien Recoing ... Père Adèle Catherine Salée ... Mère Adèle Benjamin Siksou ... Antoine Mona Walravens ... Lise Alma Jodorowsky ... Béatrice Jérémie Laheurte ... Thomas Anne Loiret ... Mère Emma Benoît Pilot ... Beau Père Emma Sandor Funtek ... Valentin Fanny Maurin ... Amélie Maelys Cabezon ... Laetitia Samir Bella ... Samir Tom Hurier ... Pierre Manon Piette ... Manon Quentin Médrinal ... Eli Peter Assogbavi ... Peter Wisdom Ayanou ... Wisdom Philippe Potier ... Prof de français 'Marivaux' Virginie Morgny ... Prof de français 'Antigone' Stéphane Mercoyrol ... Joachim Lucie Bibal ... Lucie Baya Rehaz ... Meryem Marilyne Chanaud ... Marilyne Camille Rutherford ... Camille Michael Skal ... Mika as Mickael Skal Sandrine Paraire ... Piou-Piou Justine Nissart ... Justine Flavie De Murat ... Flavie Vincent Gaeta ... Vince Elizabeth Craig ... Elizabeth Karim Saidi ... Kader Aurelie Lemanceau ... Sabine Audrey Deswarte ... Audrey Hichem Ben Nasr Janine Pillot Antoinette Sarrazin Alain Duclos Éric Paul ... as Eric Paul Catherine Gilleron Leila D'Issernio ... as Leila D'Isserno Jean Luc D'Isserno Selim Boukerfat Oscar Pinelli Léa Berkat Nicolas Bourgasser Camille Ayoras Frédéric Wolsztyniak Halima Slimani Viktor Poisson Utrillo Radhouane El Meddeb Julien Bucci Alika Del Sol Maud Wyler Marc Schaegis Olivier Verseau Manou Poret Klaim Nivaux Chloé Malih Ilyès Qada Bouraouïa Marzouk Rest of cast listed alphabetically Saskia De Coster ... Woman at Pride Parade uncredited Judith Hoersch ... Lucie voice uncredited Spencer Kayden ... Figuration uncredited Samuel Louwagie ... Figuration uncredited Pierre Valle ... Figuration uncredited Produced by Brahim Chioua ... producer Laurence Clerc ... executive producer François Guerrar ... associate producer as François Hassan Guerrar Abdellatif Kechiche ... producer Genevieve Lemal ... co-producer Vincent Maraval ... producer Andrés Martín ... co-producer Olivier Thery Lapiney ... line producer as Olivier Théry-Lapiney Cinematography by Sofian El Fani Editing by Sophie Brunet Ghalya Lacroix ... as Ghalia Lacroix Albertine Lastera Jean-Marie Lengelle Camille Toubkis Casting By Sophie Blanvillain Judith Chalier Bahijja El Amrani Production Design by Julia Lemaire ... production design Set Decoration by Julia Lemaire Costume Design by Paloma Garcia Martens Makeup Department Frédéric Balmer ... special makeup effects artist Sylvie Ferry ... special makeup effects artist Jessica Oberli ... special makeup effects artist Pierre Olivier Persin ... special makeup effects artist Production Management Diana Angulo ... administrative and financial director / post-production manager / production manager Yassine Benaalla ... unit manager Harold Benhaim ... unit production manager Elena Manrique ... executive in charge of production Benoît Pilot ... production manager Nicolas Plouhinec ... assistant unit manager Antoine Rabaté ... post-production manager Nora Thomas ... assistant production manager Scope Pictures Second Unit Director or Assistant Director Frédéric Alexandre ... assistant director Bahijja El Amrani ... second assistant director Antoine Fromental ... assistant director Monya Galbi ... first assistant director Roxane Guiga ... trainee assistant director Auriane Lacince ... first assistant director Nicolas Turek ... assistant director Art Department Coline Débée ... assistant set decorator Sound Department Niels Barletta ... sound mastering engineer Mélanie Blouin ... additional sound editor Milène Bourcereau ... boom operator as Milène Chave Romain Cadilhac ... boom operator Jérôme Chenevoy ... sound mixer Raphaël Devillers ... sound mix technician François Fripiat ... dialogue editor Marie Giustinati ... assistant post-synchronisation editor Renaud Guillaumin ... soun camera operator Bertrand Etienne ... digital imaging technician Sébastien Goepfert ... camera operator Serge Hannecart ... camera operator Xavier-Emmanuel Lesage ... assistant camera Frida Marzouk ... lighting technician Sylvain Phan ... second assistant camera Nicolaos Zafiriou ... additional camera operator Casting Department Judith Chalier ... casting Costume and Wardrobe Department Sylvie Letellier ... costumer Dorothée Lissac ... costume supervisor Lucie Maggiar ... costumer Editorial Department Elie Akoka ... colorist Adélaïde Basson ... post-production assistant Perrine Bekaert ... additional editor Emma Benestan ... assistant editor Marc Boucrot ... colorist Nicolas Brasseur ... assistant editor Pauline Casalis ... additional editor Alissa Doubrovitskaïa ... post-production assistant Vanessa Eid Akoka ... post-production coordinator Marcela Figueroa ... first assistant editor Louise Jaillette ... assistant editor Kévin Laperrière ... assistant editor Emmanuelle Schneider ... additional assistant editor Marie Silvi ... additional editor Cyrielle Thélot ... additional editor Elie Tisné ... colorist assistant Sarah Zaanoun ... assistant editor Location Management Kader Bouallaga ... location assistant Jonathan Degras ... assistant location manager Samuel Henry ... location scout Belgium Chafik Laribia ... location manager Benjamin Soto ... assistant location manager Nicolas Turek ... location scout Music Department Jean-Paul Hurier ... composer additional music Elise Luguern ... music supervisor Delphine Mathieu ... music supervisor Script and Continuity Department Bahijja El Amrani ... continuity Additional Crew Rafael Aubert ... production assistant Anne-Marie Billon ... production administrator Julie Grumbach ... assistant director preparation François Guerrar ... publicist France Nicolas Honorez ... production manager assistant Gaëtan Hugnet ... post-production assistant Astrid le Moine ... publicist Muneer Lyati ... assistant Ronaldo Mourao ... publicist international Martin Neufkens ... production accountant as Neufkens Martin Vanessa Ragueneau ... production secretary Phil Symes ... publicist international Thanks Etienne Grandou ... thanks Seventeen year old Adele’s life is changed when she meets Emma, a sapphire haired university student, and her path changes from adrift high school student to a woman discovering herself and sexuality in Blue is the Warmest Color. Beautiful and honest, Blue is the Warmest Color is aSeventeen year old Adele’s life is changed when she meets Emma, a sapphire haired university student, and her path changes from adrift high school student to a woman discovering herself and sexuality in Blue is the Warmest Color. Beautiful and honest, Blue is the Warmest Color is a realistic love story. I find it quite hard to say what it is about without it sounding banal. Adele is a confused girl, unfulfilled in her life, trying to figure out what she desires. Then, girl meets girl, girl likes girl, girl falls for girl, and girl’s relationship with girl follows its destined course. In the meantime, girl comes to grips with her desire, sexuality and identity. But it is poignant, sweet, sad, unflinching, The more naive and inexperienced of the two is Adele, played by Adele Exarchopoulos. She does a wonderful job of being both unsure and youthfully headstrong. I enjoyed her character being so blase about pretenses and frivolity in the superficial. She is hilarious to watch eat food, Adele ravenously devours meals as if her appetite for sustenance is insatiable. Emma, played by Lea Seydoux, is the slightly older college student who Adele befriends, at first as a confidante and mild mentor, but soon that friendship evolves. Emma is free-spirited and confident without being pretentious or judgmental and Seydoux’s character warrants Adele’s infatuation. The film is raw, the sex scenes enthralling without being gratuitous and what you get essentially from Blue is the Warmest Color is a coming of age lesbian love story. More reviews of recent releases can be found at our website.… Expand The swirl of hostility, accusations and counter-accusations, retribution and jeering from the wings that has enveloped Blue is the Warmest Colour, the French erotic epic that was the toast of last year's Cannes Film Festival, makes most of Hollywood's catfights look pale by comparison. ''Directors and actors being what they are, they like a good argument,'' wrote a commentator in a piece comparing the saga with other screen clashes. ''On one side are obsessive perfectionists, on the other self-involved exhibitionists, or so the theory goes.'' Is this true of the Blue winning team? Almost certainly, but with the added spice of is the Warmest Colour is quite extraordinary. The film, directed by Abdellatif Kechiche, a French director of Tunisian origin widely regarded as one of French cinema's small handful of masters, is the story of a great passion between two teenage girls. It traces their affair from flirtation through a bitter break-up and its melancholy aftermath with such force of feeling that you seem to be living their lives is the Warmest nullSo overwhelmed were the members of the Cannes jury that they decided to give the Palme D'Or not only to the director, but, in an unprecedented move, to the two actresses, Lea Seydoux and Adele Exarchopoulos, as thrilled threesome were pictured on the red carpet kissing and hugging. In private, says Kechiche, Seydoux wept with still from Blue is the Warmest Transmission FilmsThat was at the end of May. Then the backlash flipped into action. Immediately after the Cannes premiere, a French film technicians' union criticised Kechiche for his ''disorganised'' approach to filming and for making demands on his crew that amounted to ''moral harassment'', a charge he denied. At the same time, Julie Maroh, the author of the graphic novel on which the film was based, publicly criticised the film's ground-breaking sex scenes, describing them as ''ridiculous'' and questioning whether there had been any real, live lesbians on Kechiche's set.''It was a brutal and surgical display, exuberant and cold, of so-called lesbian sex, which turned into porn, and [made] me feel very ill at ease,'' she wrote. Nothing Maroh said could douse the critics' rapture, however. Blue is the Warmest Colour was now a festival favourite, with the intensely serious Kechiche and its young stars asked to give dozens of their stock of stories gathered momentum, however, Kechiche began to emerge as something of a monster. Seydoux, the elder of the two actresses at 28, was quoted at Telluride Festival as saying, to website The Daily Beast, that working on the film was ''horrible'' and that she had felt ''like a prostitute''. In the same interview, Exarchopoulos recounted how the director drove them on during a scene of a break-up. ''You can see that we were really suffering. She was hitting me so many times, and [Kechiche] was screaming 'Hit her! Hit her again'!''Both actresses had said similar things at Cannes, when the film was in its first heady rush of success. Talking about filming the sex scenes, the longest of which was filmed over 10 gruelling days, Seydoux said ''It was sometimes embarrassing and sometimes illuminating, surrounded by three cameras in a very small room. Sometimes you could spend like five hours on a scene. I felt like a prostitute.''All smiles Lea Seydoux left, director Abdellatif Kechiche and Adele Exarchopoulos in APShe then went on to say how normal it felt, even when a model-maker came to make moulds for the silicone shields they wore over their genitals. By the time they reached America, however, this reflective series of observations had been recast as responded with fury of his own. Two days later, he told a press conference in Los Angeles that it was obscene for these young women to claim they had suffered. ''How indecent to talk about pain when doing one of the best jobs in the world!'' he said. ''How, when you are adored, when you go up on the red carpet, when we receive awards, can we speak of suffering?''A month later, Kechiche wrote an open letter to Rue 89 news website that appeared to accuse the ''arrogant, spoilt'' Seydoux of slander and suggested she could explain herself in court. The website responded by suggesting he could be seen as paranoid.''Fine! It's better than being called 'tyrant' or 'despot','' he snapped back. ''At least it's a classified illness.''There is no question that making Blue is the Warmest Colour was intense, immersive and extremely demanding, especially for Exarchopoulos, who was only 18 and dropped out of school to make the film. Sometimes they worked for 18 hours a day, although on other days Kechiche announced they were just going to drink coffee and shoot, supposed to take two months, took five. Individual scenes were done dozens of times. Kechiche thinks he amassed 250 hours of footage. He didn't just shoot on set, either. Exarchopoulos woke on a train to Lille after a day off to find he was filming her, whereupon he instructed her to go and buy some snacks and eat while he filmed. ''It was like a constant improvisation,'' she says. Sometimes it seemed to her she was spending whole days was Seydoux, despite being racked by her own doubts - ''Sometimes I'd go 'I'm so shit; I am such a bad actress''' - who coaxed her through it. ''Sometimes she was saying, 'Oh, this is very difficult', and I was saying, 'Think about the film. I know it's so hard for you, but you will see, the film will be great and you will have a lot of success with it'.'' But both of them had expected it to be hard. To declare that there were times they wanted to give up, even that they wouldn't want to go through it again, is not an to The Guardian in November, Exarchopoulos confirmed that ''this film is the best thing I have done in my life''. To me, she said ''I don't know whether it has really changed me, but it's made me develop and grow. I think I have become grown up and mature.''The public feud between the Palme D'Or winners, however, was to have a few more twists. By the end of September, after another triumphant outing at the Toronto Film Festival, Kechiche was telling the press the film should never be released because it was ''too sullied'' and it would be impossible for anyone to view the film ''with a clean heart and a watchful eye''.The stories about him, he told French magazine Telerama, had left him feeling ''humiliated, disgraced. I felt a rejection of me; I live like a curse''. Although this comes not from Kechiche himself but from Exarchopoulos, there have been racist jibes on the internet about an Arab persuading young French girls to take off their was another round of interviews for Blue is the Warmest Colour in London before it opened in November. An interviewer for The Guardian saw Exarchopoulos greet Kechiche warmly in the corridor as they went to their respective interview rooms and asked whether the feud had been exaggerated. ''No, it was real, but it was not as big as it looks,'' she replied. ''For me, a shoot is a human adventure, and in every adventure you have some conflict.''Kechiche's problem, she said, was his naivety. He was easy prey for pot stirrers. ''In every shoot, between the actor and the director there is manipulation. I'm not saying that negatively. It's healthy. Abdellatif records a lot of takes, so that you can let go.''But the saga has left Kechiche feeling deflated. Even the opening in France was an anti-climax he compared to a dismal is 52. In part, he said, he wanted to recapture for himself that age ''when we build each other, we are building our own personality and the way we are going to be as adults''. He could ''retrieve the young man I was at one point'', but he also wanted to mark the point of generational change. ''I almost wish I was born now, because young people seem to be much more beautiful and brighter than my generation,'' he said. ''I want to pay them tribute.'' Blue is the Warmest Colour opens on Viewed in CultureLoading What to know Raw, honest, powerfully acted, and deliciously intense, Blue Is the Warmest Color offers some of modern cinema's most elegantly composed, emotionally absorbing drama. Read critic reviews Portrait of a Lady on Fire Rent/buy Rent/buy Rent/buy Blue Is the Warmest Color Photos Movie Info A French teen Adèle Exarchopoulos forms a deep emotional and sexual connection with an older art student Léa Seydoux she met in a lesbian bar. Rating NC-17 Explicit Sexual Content Genre Drama, Romance, Lgbtq+ Original Language French France Director Abdel Kechiche Producer Olivier Thery-Lapiney, Laurence Clerc Writer Abdel Kechiche, Ghalya Lacroix, Abdel Kechiche Release Date Theaters Oct 25, 2013 limited Release Date Streaming Feb 25, 2014 Runtime 2h 55m Distributor IFC Films Production Co France Télévision, Ciné+, France 2 Cinema, Wild Bunch, Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles, Quat'sous Films, Canal+, Scope Pictures, Eurimages, Le Tax Shelter du Gouvernement Fédéral de Belgique, Région Nord-Pas-de-Calais, Pictanovo, France 2 FR2, Vertigo Films, Centre National de la Cinematographie, Radio Télévision Belge Francofone RTB Cast & Crew News & Interviews for Blue Is the Warmest Color Critic Reviews for Blue Is the Warmest Color Audience Reviews for Blue Is the Warmest Color Oct 18, 2015 It's a 3 hour lesbian romance that drastically needs some serious editing. Super Reviewer Oct 11, 2014 A young girl falls for another woman. Adele Exarchopoulos's face is one of the most expressive I've seen on an actress in a very long time. She has the capability of rendering an entire film's worth of character motivation and contradiction in a single close-up, and her leading lady, Lea Seydoux, is a fitting and remarkable performances in Blue Is the Warmest Color are the highlights of the film, and to watch this acting master class is a thrill in and of itself. The story isn't much to write about. A woman tries men, falls for a woman, the relationship encounters difficulty, the end. It's all as one might predict, but that doesn't mean that the variances of individuality don't give the film a vitality and spark that is absent from many modern-day romances. Overall, good acting is sometimes enough to make a good film. Super Reviewer Sep 29, 2014 Blue is the Warmest Color triumphantly revealed love in the extremes, both in its beauty and in its monstrosity. It was powerful and gripping in its honesty and fearlessness. Super Reviewer Sep 10, 2014 There are immeasurable reasons this French romance drama film has received a great deal of critical acclaim. One can look to the themes expressed in the film, such as prejudices, social class, self-discovery, and the emotional turmoil of a relationship-particularly when it is your first. Others can look to the gorgeous cinematography and artistry of the film, filled with dense metaphors-and yes, of course blue is heavily symbolic. Yet, what makes Blue is the Warmest Color so heartfelt is its delicate sense of realism and truthfulness. It is the tale of Adele's first love for another girl, Emma, and the progression of their relationship over several years. Their relationship evolves with beautiful tenderness, sexual passion, and ultimately, the tumultuousness that comes with true love. Is it a poignantly masterful film that deserves to be watched by all, whether part of the LGBT community or not. Super Reviewer

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